The Alexandria Quartet
Justine 1957
Balthazar 1958
Mountolive 1958
Clea 1960
Reviewers describe Alexandria as one of the characters in the series and indeed Justine is prefaced with a note assuring the readers that the personages are fictional; “only the city is real”. The theme is described as ‘modern love’ but I think ‘ empty affairs’ might be more fitting. There appears to be an Orientalist objectification of women throughout the series that matches Durrell’s description of Alexandrian women in his letter to Miller. The women pictured on these covers of Balthazar and Mountolive certainly reflect the books' Orientalist tone.
A short excerpt from the beginning of Justine:
"Capitally, what is this city of ours? What is resumed in the
word Alexandria? In a flash my mind’s eye shows me a thousand dust-tormented
streets. Flies and beggars own it today – and those who enjoy an intermediate
existence between either.
Five races, five languages, a dozen creeds: five fleets
turning through their greasy reflections behind the harbour bar. But there are
more than five sexes and only demotic Greek seems to distinguish among them.
The sexual provender which lies in hand is staggering it its variety and
profusion. You would never mistake it for a happy place. The symbolic lovers o
the free Hellenic world are replaced here by something different, something
subtly androgynous, inverted upon itself. The Orient cannot rejoice in the
sweet anarchy of the body – for it has outstripped the body. I remember Nessim
once saying – I think he was quoting – that Alexandria was the great winepress
of love; whose who emerged from it were the sick men, the solitaries, the
prophets – I mean all who have been deeply wounded in their sex." (p. 11)
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